Abby JamesGraphic designer for film, TV and commercials
About,  Instagram,  IMDb
Creating graphic details — big and small — to build worlds behind the camera. Sharp eye for layout and typography, from a decade in journalism and magazine publishing. Stuck in the late 20th century. Versed in period and contemporary. Lover of design high and low.

Former magazine journalist and print layout designer. Member of Graphics Union UK.

Based in London and the South East.
graphics@abbyjames.com
+44 (0) 7521 300 477




By Production (click to view)
RoleTypeByDate
SiloSenior graphic designer
Season 4Apple TVApr 2025 – Mar 2026
Starling BankGraphic designerCommercialThe Corner ShopNov 2025
PerkGraphic designerCommercial
Untold FableOct 2025
Silo
Senior graphic designerSeason 3Apple TVAug 2024 – Mar 2025
Urchin (Cannes)Lead graphic designer
Feature FilmDevisioApr 2024 – Jul 2024
Silo
Graphic designer
Season 2
Apple TVNov 2023 – Apr 2024
BT BusinessGraphic designerCommercialSomesuchJan 2024
RSPCA
Graphic designerCommercialSomesuchNov 2023
McDonaldsGraphic designer
CommercialSmugglerSep 2023
Surface
Graphic designerSeason 2Apple TVMar 2023 – Jul 2023
The Crown Assistant graphic designerSeason 6NetflixJun 2022 – Mar 2023
Treason
Graphics assistantLimited SeriesNetflixJan 2022 – Jun 2022
Trying
Graphics assistantSeason 3Apple TVOct 2021 – Dec 2021
A Spy Among Friends
Graphics assistant (dailies)Limited SeriesITVXSep 2021





Treason
Graphics assistant
Jan 2022 – Jun 2022


Netflix
Binocular Productions
Limited Series

Production designer: Catrin Meredydd
Set decorator: Jo Delo
Graphic designer: Brendan Ewen
Graphics assistant: Joe Lynch

A range of screen graphics made for a contemporary spy thriller — across MI5 and the CIA. I designed a number of computer, phone and tablet screens.

Often, the action hinged on information on-screen. I carefully designed user interfaces, storyboarded scripted action, and worked with Revolver to animate the designs.



The script called for a programme to read and log Adam’s biometrics — giving him sole secure access to his devices. I designed the interface, planned the sequence of steps, and worked with Revolver, to animate.


The script called for a programme to read and log Adam’s biometrics — giving him sole secure access to his devices. I designed the interface, planned the sequence of steps, and worked with Revolver, to animate.

The script called for a programme to read and log Adam’s biometrics — giving him sole secure access to his devices. I designed the interface, planned the sequence of steps, and worked with Revolver, to animate.

The script called for a programme to read and log Adam’s biometrics — giving him sole secure access to his devices. I designed the interface, planned the sequence of steps, and worked with Revolver, to animate.


Physical intelligence file archive.

Close-ups of American intelligence documents.

Close-ups of American intelligence documents.


Made multiple news site designs for phone close-ups.


Extreme close-up of scanned classified documents. I crouched under the camera to control the screen during shoot!

Extreme close-up of scanned classified documents. I crouched under the camera to control the screen during shoot!

Extreme close-up of scanned classified documents. I crouched under the camera to control the screen during shoot!

Extreme close-up of scanned classified documents. I crouched under the camera to control the screen during shoot!

Close-ups of a screen sequence for a major plot development.

Designed a donation site adjacent to ‘JustGiving’

Designed a platform adjacent to HM Land Registry. 

Designed a platform adjacent to HM Land Registry. 

Storyboarded the sequence, and worked with Revolver to animate.


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Some work reproduced here is subject to copyright of the specified production company.